Lunch break

Incidental material from Raf and Luci’s lunch break. The aim this time was to try a different format (tabloid size) and layout, and see how the sequence of images works out. I also wanted to try and create a small cityscape out of found images and graphics in order to establish a sense of place. It has taken me a long time to reach a satisfactory result, and there’s still lots to improve on. But it’s a start.

P.S. Note that ‘Nebular’ is being advertised at the Luncheonette (opening panel). For more information on ‘Nebular’, see my post of 19 August below.

Armies of the Astral Plane

The panels below are work in progress for the second issue of Folly Gound, which is slowly taking shape. The setting is the ‘Vinyl Frontier’, the most contemptuous record shop in Folly Ground, and Flo’s workplace. The staff there have very definite opinions as to what constitutes good music and what doesn’t. This latest vignette is such an example, and involves Flo, Luci, and Luci’s friend Johnny Pyro, singer and guitarist with the band ‘Armies of the Astral Plane’.

The Armies of the Astral Plane are one of Folly Ground’s favourite bands. They made an appearance in the first issue: a full-page advert for their single ‘Subtle Doctrine’ was featured (see below). Also, a press release from the Diocese of the Doom & Gloom Faith announced them as the house band at the ‘And the end shall come’ theological conference, organised by the Holy Moses Institute for Disenfranchised and Dislocated Priesthood (HMIDDP). The press release also included a quotation from Johnny.

Advert for the single ‘Subtle Doctrine’ by the Armies of the Astral Plane. Folly Ground #1, April 2020.

Advert for the single ‘Subtle Doctrine’ by the Armies of the Astral Plane. Folly Ground #1, April 2020.

The Armies of the Astral Plane have a heavy psychedelic sound accompanied by rather esoteric lyrics, which are very thoughtfully written by Johnny. Luci and Raf are friends as well as huge fans of the band, something that really annoys Flo; he much prefers the Carthagenean Eunuchs who have a very, very different sound (and who were also prominent in the first issue). But that’s a subject for another post.

If you want to be reminded of Folly Ground’s musical ‘rivalries’, you can still leaf through the first issue. Just hit ‘Home’ in the menu above.

Also, if you care to comment, the comments section below is open for the next few days. It’s always helpful, and much appreciated, to get personal impressions from time to time. Or you can just say hello! Alternatively, if you know of anyone who you think may enjoy the world of Folly Ground, please feel free to spread the word, or use the ‘share’ button below to do so. Word-of-mouth is always the best recommendation, and I am very grateful for every visitor who takes an interest in this blog in these especially bleak times.

Radio life

The three panels below came about rather serendipitously. For what seemed like the longest time, I had no idea of what to draw. A few things popped into my head, but nothing really enthused me much. On a whim, I started listening to my old Psychedelic Furs records as they vaguely seemed to go well with the coming autumn ambience; upbeat but not happy. I was pondering whether their songs have aged well (I think they have even though they sound of their time) when I started thinking about obsolete sound technologies — a topic particularly fascinating to me as a member of a generation which migrated from the analogue and the digital in their teens and twenties. From there, I eventually got to thinking about radios, specifically transistor radios. Then finally, I made the mental leap to the popular Top10/Top20, etc., radio shows that I used to listen to as a kid on a weekly basis without fail. In fact, I think I still have some tapes I had made of them packed away somewhere. However, I was never very fond of most radio DJs and their incessant chattering, especially when it extended over the beginning of songs. So, without further ado, this week’s post is for those who, like me, used to listen religiously to the various chart countdown shows on the (analogue) radio way, way back in markedly different decades. And for those who (still) enjoy the Psychedelic Furs!

Out to lunch, part 1

I have always liked ‘out to lunch’ shop signs, I am not quite sure why that is. Perhaps it’s the ordinariness of the typography, but also because these three words seems to convey a world of possibilities; a condensed hour or so where one could be doing any number of things. Now I have finally designed one myself, hopefully the first of many. The rather upbeat exclamation mark was inspired by the excellent album cover of Eric Dolphy’s singular ‘Out to Lunch!’ (Blue Note, 1964).

After 'Due South'

This week’s post was unexpectedly inspired by an old episode of ‘Due South’ I watched by chance on TV last weekend. ‘Due South’, for those old enough to remember, was a Canadian TV crime series from the 1990s about the adventures of Benton Fraser, an officer in the Royal Canadian Mounted Police. Fraser travels to Chicago in order to investigate the murder of his father. He ends up staying there as a liaison officer in the Canadian embassy, and helps solve many more crimes alongside local detective Ray Vecchio. The TV series was broadcast on Greek (and British) television at the time, although sadly I can’t remember the title’s Greek translation now.

I never watched the series at the time, but last Saturday evening I found myself watching the last half hour of an episode entitled ‘Flashback’ (series 2). In it, a jewellery store is robbed and its owner kidnapped. Fraser loses his memory whilst pursuing the robbers/kidnappers in a getaway car, and Detective Vecchio must help him remember again in time to find the robbers. There is a scene where Fraser is sitting alone in the car waiting for Vecchio when the ghost of his dead father appears in the back seat. They start talking, but inevitably the conversation is interrupted by the returning Vecchio who asks Fraser: ‘Has anything happened?’. Fraser replies: ‘In what sense?’. In an otherwise unremarkable episode, this, I thought, was a nice illustration of what it’s like sometimes to live in your head. That scene stayed with me for a while afterwards. In fact, I liked Fraser’s deadpan reply so much that I decided that I had to get Luci, who often has surreal flights of the imagination in broad daylight, to say it.

So, in conclusion, even the most mundane aspects of popular culture sometimes reveal little nuggets of inspiration one can make use of in some way. If you don’t know or remember what ‘Due South’ is all about, here’s the Wikipedia entry for it.

Apparent Magnitude

Another week, another snippet from the currently in-progress Folly Ground #2. Apparent magnitude is an astronomic(al) term, and it measures the brightness of a star or any other celestial object that can be observed from the Earth. It is also the name of a cult science fiction television series in Folly Ground. The main plot is loosely based on the well-known myth of Castor and Pollux (Κάστωρ και Πολυδεύκης for Greek speakers), also known together as the Dioscuri (Διόσκουροι), only this time it is transposed in space. The twin half-brothers (they have different fathers, and one is mortal whilst the other immortal) have been forcibly separated, and they spend the series trying to reunite and get back home to the constellation of Gemini.

‘Apparent Magnitude’ is broadcast on TV615 on Friday evenings at 7 p.m., followed by a repeat at midnight. Although it is not the most popular programme on Folly TV, it has a very loyal, almost fanatical, audience which has allowed the current second series to be filmed and broadcasted. Below is a full-page TV guide advert for the series — naturally in black and white.

Apparent Magnitude poster.jpg

Unsurprisingly, Luci and Raf are avid fans of ‘Apparent Magnitude’, never missing an episode. Flo is too, although his priorities are apt to change from time to time if a promising date with an intriguing girl appears on the Friday night horizon. Each one of them finds something to identify with, be it the various dramatic subplots, the technological gadgets, or the degree of attractiveness/coolness of the actors who play the various characters in the series.

raf+luci_appmagnitude.jpg

Below are a couple of initial sketches of Pollux (left) and Castor (middle) as portrayed by the (fictional) actors Cirrus Reeves and Kirk Cumulus respectively. I should also add that their looks as seen here may or may not change as FG#2 develops. Click on the images if you’d like to see them a bit larger.

Finally, in case you’re wondering, I am only a science fiction fan in so far that I grew up watching ‘Star Trek’ (the original series) and ‘Flash Gordon’ on T.V., and the one film that has really defined my understanding of the genre has been ‘Blade Runner’ (of which I am still in awe of). Otherwise, I am, more or less, a complete ignoramus.

If you are sufficiently intrigued by Castor and Pollux, and would like to brush up on their lives and times, including their rather complex and frankly fantastical origin (twin half-brothers?! really?!), you can pay a visit to their Wikipedia entry.

Nebulous 'Nebular'

Below is an advertising page from the currently in-progress Folly Ground #2. I have come up with a new concept for a peculiar fizzy drink called ‘Nebular’ — ostensibly the new craze in fizzy drinks in the world of Folly Ground. As you can see from the advert, it’s not easy to get a can; you have to somehow be ‘in the know’. It has some slightly obscure popular culture and TV science fiction links (all fictional of course) which will, I hope, be apparent as well as entertaining once the issue is complete. And, most importantly, it comes in three unique flavours. Just don’t ask me what they taste like. I really have no idea!

Nebular 100 dpi.jpg

On the beach, part 2

Languid times on the beach continue in this post too. The weather is so warm and humid here in London at the moment, all I can think about is the beach. If you have access to the sea this month, enjoy it!

Below are some (very) rough sketches/ideas I did before finalising the artwork above. You can click on the images if you would like to see them a bit bigger.